17 August 2011

What makes "good" art?

Around the world, people endlessly question what makes art good. What does good art look like? I found some interesting insights into this query on www.artbusiness.com/how-to-recognize-the-best-art.html.
I picked out my three favorite responses to share with you:

DeWitt Cheng, freelance art writer and critic, Bay Area, CA: Jorge Luis Borges wrote, "Music, states of happiness, mythology, faces molded by time, certain twilights and certain paces-- all these are trying to tell us something, or have told us something we should not have missed, or are about to tell us something; that imminence of a revelation that is not produced is, perhaps, the aesthetic reality." While art has become, in the experimental 20th and 21st centuries, impossible to define-- critics learned long ago to stop being prescriptive, perhaps a little too well-- Borges's tentative manifesto makes a good starting point-- as long as we don't succumb to mystical mush. Good visual art looks stunningly right and, in retrospect, obvious, or inevitable-- yet it's also continually surprising. It is a powerful paradox. How can someone have possibly made this? How in the world could it not have been made?
Robert Shimshak, Collector, Berkeley, CA: Good art is timeless. It will assume a new relevance to each generation, and to yourself as you grow. It will connect to the past and feed the future. It has a simple and rigorous beauty that commands your gaze and thoughts whenever you look at it. The best work will break your heart. As a collector, you will know it when you see it. It's personal. You will not have to be convinced by anyone to acquire it; it will be something you simply must have. It is like a good marriage that completes a feeling inside you, something that lasts forever and grows with time.
Marsea Goldberg, New Image Art, Los Angeles: Originality, representational of the time when it was created, passion, a frame of reference, freshness, intellectual content, and is uniquely identifiable as the work of that particular artist. The art should effortlessly have as many of these characteristics as possible-- or none at all. It also has to have magic; if you try too hard, the magic could fly away. The artist needs to have a vision and it's important that the work doesn't go into a dead end. It's helpful if the artist has the capacity to reinvent their creativity through various skills and mediums.

03 August 2011

Marilyn Morgan Hillery

The Pearl Fincher MFA in Houston, Texas is exhibiting my grandmother's artwork this month. The display is in their Marilyn Morgan Hillery Community Art Gallery, named after my grandmother, an active contributor and board-member.

I am so thankful for all that my grandmother has taught me about art, and just letting me experiment in her art room as a child! What a gift to be given - making art for pleasure.